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| Indiana
Review Summer 2005
Collaboration
& Collage
CONTENTS
Reviews Interviews
COVER
ART ........................................................... |
Jeremy
Kennedy & Zachary McCarty |
kwop artifact #7 |
CONTENTS
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| John Ashbery & Kenneth
Koch |
"Six Collaborations" |
| Jane Freilicher & Kenneth Koch
|
"The Car" |
| Ander Monson |
"Outline towards an Antidote:
II" |
| Nin Andrews & Mary Beth Shaffer
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"The Queen of Hooky" |
| Gail Giewont & Oliver A. Khan
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"Dare Not Name" |
| Georges Godeau |
"Happy" |
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"To Juggle" |
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"Self-Possession" |
Sylvia Legris
|
"from Laughable Answers (to
some
of Neruda’s questions)" |
| Neil de la Flor & Maureen Seaton
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"The Coriolis Force" |
P. Genesius Durica
|
"Humble Sedge" |
| Christopher Chambers |
"Inter/views: Christopher Chambers
&
Teresa Leo" |
| |
"Inter/views: Jason Trachtenburg &
Cindy Sherman" |
| Brandon Fitzgerald & Elizabeth Torgersen |
"Mapping the Art/Mapping the Body" |
| Carolyn Hembree
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"Karaoke Superstar Motel Death Poem" |
| Rick Moody & Gianna Commito |
"Listings" |
John Steven Cummins, Denise Duhamel, C. H. Eding,
Natalie Hill, David Trinidad,
& Chris Zdenek
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"Family Barbecue" |
| Cathryn Cofell & Karla Huston |
"Flea Market in Dickeyville" |
Josh Bell & Matthew Guenette
|
“Suck, cock, my sea eye,
said medusa’s scripture” |
| Denise
Duhamel & Timothy Liu |
Erotocosmic Premonitions |
Shafer Hall & Jennifer
L. Knox
|
The Year Our Prom Was
a Brilliantly-Shattered Windshield |
| Bruce Holland Rogers,
Michael Bishop, Deborah Layne, Susan O’Neill,
David Galef, & Victoria Elisabeth Garcia |
"We Shall Not, We
Shall Not Be Moved
|
Reginald Shepherd &
Gene Tanta
|
"Romeo’s Half-Awake" |
| |
"Screen Memory" |
| Denise Duhamel, Thomas
Fink, Timothy Liu, & Stephanie Strickland |
"Three Strikes &
You’re Out" |
| Dana Curtis |
"Odessa Steps" |
| Kimiko Hahn |
"Conspiring with
Shikishi" |
| Denise Duhamel & Maureen
Seaton |
"Cat 4" |
| Christopher Davis, Timothy
Liu, & Jeffrey McDaniel |
"Hidden Valley" |
| Tim Kahl |
"The Shape Box" |
| Giles Goodland |
"Symbolic Capital" |
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"Global Capital " |
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"Shadow Capital" |
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"Hot Capital" |
| John Keene & Christopher Stackhouse
|
"Azimuth" |
| Ethan Greenbaum |
"Fly to Me" |
| Winston Jackson |
"Aerial Arrangement" |
| Bill Fisher, Patrick Holbrook, Richard
Lou, Art Faculty of Georgia College & State
University, & participants from 16 countries |
"Untitled (from “Re-Present,”
an international collaboration)"
|
Ainsley Eubanks, Roxanne Farrar, Bill
Fisher, Sang-Wook Lee, & Richard Lou
|
"Low Mower" |
Billy Copley
|
"Boy with Cow" |
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"Cow Girl" |
Rachel Davis & Ashley Towne
|
"Below Ice" |
| Al Souza |
"Painter’s Holiday" |
| Nick Flynn & M. P. Landis |
"Untitled No. 4" |
| Paul Bowen, M. P. Landis, & Bert
Yarborough |
"Untitled" |
| Jane Hammond |
"Be Zany" |
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"Extravagant Reflex" |
| Robert Dean Stockwell |
"Shot of Life" |
| Adrian Lurssen & Susan Tichy |
"Detour Through Inscription" |
| Mark Halliday & Martin Stannard
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"Crystal Bride" |
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"Inspiration" |
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"The Hawk & the Mask" |
| Aaron Gwyn |
"Visitation" |
| Simeon Berry & Brian Leung |
"Literary Fugue: The Definitive
Explanation on the Difference
Between Poetry & Prose" |
| Oliver de la Paz, Aimee Nezhukumatathil,
& Sarah Gambito |
"From Beatus-Vitium" |
| D. A. Powell & Rachel Zucker |
"Ghazal as Menu or with Adumbration" |
| Erika Howsare & Jen Tynes |
from “The Ohio System”
(two poems) |
| James Bertolino & Anita K. Boyle
|
"Gourds" |
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"Burlap" |
| Matthew Frank |
"Bedroom Trial in Pink" |
| Sean Hill |
"Possessed Madlib" |
| Eleanor Henderson |
"Thanks for Festooning Me
through the Heart" |
| G. C. Waldrep |
"Figuration of the Night Brigade" |
| Katie Hays & Ron Mohring |
"Without" |
| Cyrus Cassells |
"Atavism" |
| Shamim Azad |
"Tell Me What You’ve Lost"
(Translated by Carolyne Wright & Syed Manzoorul
Islam) |
| James D’Agostino |
"Abject Permanence" |
| |
"The Song You Could Have (Had
Me For)" |
| Jeanne Marie Beaumont |
"To a Singer" |
| Jim Daniels & Charlee Brodsky
|
"One Key" |
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"Overtaken by Bulldog" |
| Suzanne Paola & Susan Bennerstrom |
"Witness, II" |
Margo Berdeshevsky
|
"Endlessly Mended Woman" |
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"Without Title" |
| David Powell |
"The Other Woman" |
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"Fathom" |
| Sarah Messer |
"America, the Hallelujah" |
| Susan Swenson |
"The Presence of Absence (Justice)" |
| Thomas Fink & Timothy Liu |
"The New Prosperity" |
| |
"All Roads Lead to Rome" |
| Sun Yung Shin |
"Macro-Altaic" |
| Carolyn Ogburn & Margo Solod |
"Waiting for Rain" |
| Lance Olsen |
"On the Despisers of the Body"
(excerpt from Nietzsche’s Kisses) |
| Robert Dean Stockwell |
"Mussolini at Harvest Time" |
| John Dermot Woods |
"Friction Free" |
INTERVIEW
............................................................ |
| Esther
Lee |
"Exquisite Flotsam & Kismet:
The Making of Literary Collage
(& Collaboration)"—An Interview with
Maureen Seaton |
REVIEWS
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| Mary Austin Speaker & Sara Jane
Stoner |
Phoebe 2002: An Essay in Verse,
Jeffery Conway, Lynn Crosbie, & David Trinidad |
| Dan Manchester |
Evidence of the Paranormal,
Albert Flynn DeSilver |
| Jeffrey Sartain |
Exit Strategy, Douglas Rushkoff
|
| Jennifer Scaife |
Nets, Jen Bervin |
| Lydia Wilkes |
Twelve Branches: Stories from
St. Paul, Nora Murphy, Joanna Rawson, Julia
Klatt Singer, & Diego Vázquez, Jr.
|
| Robin Vogelzang |
Landscape with Rowers: Poetry
from the Netherlands, J. M. Coetze, tr. |
| Paul Martinez-Pompa |
Civil Disobediences: Poetics &
Politics in Action, Anne Waldman & Lisa
Birman, editors |
| Misty Harper |
Venus Examines Her Breast,
Maureen Seaton |
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| Notes on Collaboration/Collage Process |
| The Exchange Ad Exchange |
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Indiana Review |
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